Parque España (aka "Supein Mura")

The day after we went to Inuyama, we took a train south into Mie Ken (Mie Prefecture). It was very beautiful, and even if it was kind of crazy to go two hours far out of our way just to visit an amusement park, even the train ride there was great! Again, Jane's words are in blue:

The next morning we left early for Parque España. The train went through more pretty scenery - more out in the country with hills and then getting to see the seashore again. We went through one little town where pearl diving is a big tourist draw. It looked like a neat place to visit. We got off at what our directions said was the correct station, only to be told by an employee at the station that we should have gotten off at the next one. We decided to go outside to the bus station, where a taxi driver told us where to wait for a bus. After a while a bus came by that was actually a shuttle bus for the hotel or park employees, but they asked us if we were customers and let us on. There were signs in Spanish on the bus. They let us off at the park and there was no charge for the bus! The park was SUPER COOL. We went on the cool rides we had read about, and also the silly ones that were still fun. The "brilliant sparkling luminous carnival" whatever it was called ride was indoors and you sat in a sideways car that went along and turned to face different scenes like Haunted Mansion at Disneyland, but everything was all sparkling lights with a flower & flamenco theme. The big coaster was awesome, and I lost track of all the inversions. It was also very smooth. It was a suspended coaster like the Batman Ride, and unlike some coasters, it had a couple really cool parts right at the very end rather than being anticlimactic. It looked like you were going to hit your feet on the ground at one point, and had a little zero-G hill, which I thought was unusual for a suspended coaster.

The mine train coaster had nice scenery

and was a lot faster than I expected. It was fun like Big Thunder Mountain Railway but with the speed cranked up several notches. Interwoven through it was the other
Montserrat-themed ride, the log flume ride. It was fun & not too wet. We went to the far end of the park where you walk quite a ways downhill through realistic Spanish village streets - they even had a little chapel and a wine shop. We went on the surprising long and good lagoon ride, and then discovered the “disco escalator” that Rob had read about in a park review: I wasn't looking forward to walking clear back up the long hill, but there is a very long indoor escalator that takes you back up to the main level of the park. There is fun, pseudo-Spanish music and loads of flashy lights, and if you look closely on the rock-looking walls they have a couple replicas of paintings - something Picasso-looking and a famous prehistoric cave drawing from Spain. The park also has a ride designed for looking at the view - something like Great America's giant donut tower, except the rotating big seating area is lifted up on a giant arm instead of going up a tower. It had a VERY nice view of the coastline and bay and Spanish-looking buildings and Spanish-looking hotel next door, and in the distance Japanese buildings - that part was a little surreal. Oh yeah, they even had a replica of the statue in the Plaza de Colon just like the real one.

This amusement park absolutely astounded me! It's one of the most fun parks I have ever visited. It's like Disneyland in that everything is impeccably themed (and the theming is actually, I think, more authentic looking than what is usually at a Disney park). BUT . . . it also has a couple of amazing thrill rides, like what you would find at a park like Magic Mountain. So I think it's the best of both worlds. Whatever you go to an amusement park for, they have it! AND, with almost no lines at all-we rarely waited more than five minutes to board anything and only waited more than ten minutes once: at the crazy bullfighting ring indoor roller coaster. That was truly a strange ride. It's an indoor coaster, something like SpaceMountain, but of course has a Spanish theme. Towards the end of the ride you enter a dark area, and the cars STOP. Suddenly, the lights turn on, and it looks like you're in the middle of a bullfighting ring; a trumpet fanfare plays, the cars start heading for a wall, and it opens, sending you into the final part of the ride. VERY creative (and strange!) The super roller coaster that Jane mentioned was SO intense, that even I (crazy roller coaster maniac!) could only go on it four times. One other note about the theming-there's a huge building that houses the area where stage shows are performed. Rather than just have the top of a big, ugly building in the middle of the park, they took the time to decorate it to look like Roman ruins! (You can see that in the long, panorama picture I posted.)

An absolutely fantastic park, but as I mentioned, not many people, so I'm afraid that if business doesn't increase, at some point it may close, which would be terrible for such an awesome park. So, anyone even slightly interested in amusement parks in Japan-please go and support their wonderful creation!

By the way, "Supein" means "Spain" in Japanese (if you didn't already know or figure that out), and "Mura" means village. The park is titled in Spanish and Japanese.

Inuyama and Ukai (Cormorant Fishing)

This is the next part of my sister's visit. She went to visit a friend in Osaka by herself for one day. The following day her friend Nancy and I took the shinkansen to Nagoya (about an hour closer to here) to meet her. Again, Jane's words are in blue.

I then proceeded to Nagoya station, where I arrived just a few minutes before Nancy & Rob were due so I was able to guess which train was theirs and meet them right on the platform. We went to our hotel where we were able to check in early. Rob had found a last-minute deal on a four-star hotel. The rooms we had were actually not very large but it was extremely clean with extremely comfortable beds and nightshirts provided. Then we set out for Inuyama where the ukai (cormorant fishing) is, about a half-hour train ride away. A big outdoor wooden map of the city at the station had north at the top, but you were facing south looking at it, so was glad I had my compass in my purse. Unfortunately the map also seemed to imply that we had to cross the river to get to the fishing area. We had well over an hour, and enjoyed a walk down a little street with very old buildings – it would be a cool place to spend a whole day or two. Finally, we got to the river, crossed it on a large dam, realized we were on the wrong side of the river and still had a long walk to get to the boat dock. I was pretty sure there was no way we were going to make it to the boat on time (we had a reservation). We got near the other bridge and started running and made it to the boat dock just in time, to my great relief. We boarded a long, low boat with tatami mats in it - they gave us plastic bags to put our shoes in while on the boat. We headed down the river and picked up several more passengers at a hotel downstream - Japanese tourists. It was lots of fun trying to converse with them. They were talking and laughing and kept asking Rob questions. One man kept making funny gestures, we weren't sure what he was trying to convey except part of it had to do with fishing or food, it was very amusing. The sun had set and we were below a castle up on a hill that they light up at night, and which I found out later is one of the oldest wooden castles in Japan (not one that has burned down and been rebuilt). The boat had a roof with paper lanterns with candles burning in them hanging down. The boat ride was so neat I thought that alone was worth the ticket price. Then we motored back upstream to where there were other spectator boats and the fisherman's boat came out. That was really amazing to watch. There were three men in the fisherman's boat and they had a fire burning in a big metal basket hanging over the water. They periodically pounded on the boat floor with a pole - not sure if that was to attract the fish or signal the birds. The actual fisherman had on traditional garb including a straw skirt (right next to the fire!) and had several birds on leashes, who just bobbed along swimming next to the boat and would periodically dive for fish. When the fisherman saw a bird had caught a fish, he would pull in the bird and make the bird spit out the fish into a basket and toss the bird back in the water, where it would bob along again like everything was fine. The birds are trained when they are young and live with the fisherman. The whole night-time scene with the fire reflecting in the water and everything really made it all extra amazing - was really one of those “had-to-be-there” experiences. I was really glad we got to see it. That style of fishing has been done for hundreds of years. It is no longer an economically feasible way to make a living, so the government sponsors it as an "intangible cultural asset".

As Jane said, the whole thing was completely amazing. When we were both children, our family had a book that described cormorant fishing. We both still remember the book, and I think Jane was inspired to arrange that part of our trip mostly because of that memory. That made the experience even more incredible. Sorry some of the pictures are rather dark, but hopefully you can get the idea (especially if you click on them for the larger size).

Next: Parque Espana!!!

My sister + Japan = FUN! (Edo Mura)

As I did when my cousin was here, I am going to take my sister's account of her trip, and use it as the start of my blog entries. My words will be in black, and hers will be in blue.

We went to Edo Wonderland, the Edo themed park. It was very cool & realistic - a reproduction of an Edo-era city. No rides, just the buildings and exhibits and some activities. There was a cool parade of elaborately costumed people. All the restaurants and kitschy souvenir shops were sort of disguised behind screens & doors of the buildings, so the street scene looked quite realistic. They even had live chickens in a basket cage along the street, and wide, deep street gutters with koi. There was a cool thing where two "Edo police" chased a ninja up the streets and to a bridge right where we were standing, and the ninja threw these guys off the bridge (actually they ran up to the rail and flipped over it) down into the small river several feet below, that was cool.

Many tour books only mention Edo Mura in passing, or even dismiss it as being a tourist trap, but I thought it was a very cool experience. In fact, I would definitely go back! There were some diorama scenes with wax models that were a bit gruesome, but when I showed pictures of them to the locals here, many people recognized the scenes as being important parts of Japanese history. Jane decided to join one of the scenes, but was later arrested by Edo policemen! After that, Jane and I fought off a fierce ninja attack-I have pictures to prove it! Look! All silliness aside, it was a very beautiful place, and much more culturally informative than I expected.

Help! I can't get caught up!

My sister, Jane, and her friend, Nancy, visited me a few weeks ago, and we had an amazing time! This is going to be my short "these pictures don't really fit in anywhere else" post. I'll start a more detailed explanation of our adventures in the next post, but this will at least get us started.
The picture of Jane and Nancy together is in Hachimanyama park in Utsunomiya. (Check back in my posts from a few months ago for more information.) There's a long suspension bridge that crosses a small ravine, and at each end there are statues of, uh..., well..., I think they are babies made of acorns. Or acorn forest spirits. Or acorn tree dryad beings, or acorn aliens. Well, they're kind of strange, whatever they are, so we took a picture!




The picture with the lily is outside the temple near the Oya Kannon that I have mentioned in other posts. I might post pics of our visit there later. I just thought it was an interesting picture with cool lighting.




The picture of Jane with the statue is the infamous gyoza statue outside of Utsunomiya Station. It's just SO odd, it makes me laugh every time I see it (in a good way!). It was inspired in part by Botticelli's "The Birth Of Venus", but instead of Venus emerging from a seashell on the shore, it's an abstract, faceless woman emerging from a Chinese dumpling on a stone surfboard. Makes perfect sense, right?




The last picture is in Nagoya. We saw this building close to the hotel we were staying in. I thought the design was odd, and Jane said it looked like something out of "Buck Rogers". I decided it was the church of the ethereal, transcendental egg. Or something like that. (Actually, when we thought about it later, we realized it was probably a wedding chapel. That's very common here for people to get married in a church-ish looking place that's not really a church.)